About
MY STORY
Born in Salvador - BA and always in love with music, she started her musical life at the end of 2008, in a social project, Grupo Cultural Bagunçaço, in her neighborhood, Vila Ruy Barbosa. She started playing the piano and soon after fell in love with the saxophone, it was love at second sight as she had chosen the transverse flute first, but she didn't adapt well to the instrument. She did international cultural exchanges when she was a participant in the project and met very important people, such as Queen Silvia of Sweden. Percussion came from the cradle, the daughter of a percussionist musician, she grew up listening to her father play and instinctively felt comfortable making a percussive sound. And bringing together all these influences, which range from axé to blues, she has been increasingly developing her own style and musical expression.
Always trying to make his mark on every project he participates. She is currently studying the 5th semester of Phonographic Production at FATEC-Tatuí and the 5th semester of Saxophone MPB/Jazz, at the Conservatory, also in Tatuí.
Formation
WHAT I LEARNED
2008–2015
Cultural Group Bagunçaço
Saxophone and Percussion (Salvador - BA)
More at: https://baguncaco.wordpress.com/
2012–2017
Cpa. Opaxôro of APAE Salvador
Saxophone and Percussion (Salvador - BA)
More at: http://www.apaesalvador.org.br/
2018-Current
Dramatic and Musical Conservatory Dr. Carlos de Campos Tatuí
Saxophone MPB / Jazz (Tatuí - SP)
2019 – Current
Fatec Tatuí - Prof. Wilson Roberto Ribeiro de Camargo
Phonographic Production - (Tatuí - SP)
Experience
WHERE I HAVE WORKED
Musical Production
Sep. 2008–2015
Bagunçaço Band
This is where I started my musical life in 2008, I started playing the piano, then I moved to the transverse flute and I fell in love with the saxophone and percussion. Within the NGO I created a band with my cousins called D'Assis that brought a mix of recyclable instruments with the wind instruments that some of us played. In 2011 I became leader of the main band of Bagunçaço that made many external presentations and several places in Bahia and outside of it too, I was responsible for the arrangements and rehearsals. In addition to assuming the position of conductor in the shows.
Social
At the age of 16, I became an instructor, and was responsible for coordinating the rehearsals of the bands that still existed there. I passed on what I learned at the institution over the years to the youngest, giving percussion and guitar workshops.
Exchange
I had the opportunity to do two international cultural exchanges, in the first we spent just over a month and a half visiting public schools in Sweden offering Brazilian percussion workshops for children and teenagers and teaching them how to make their own recyclable instruments. The second, in 2011 , we went to perform at an award offered by the Swedish monarchy called: The World Children Prize for the Rights of the Children . We stayed on the castle grounds and also did some workshops with the other children who were participating in the prize. I was the saxophonist, percussionist, leader and conductor of the group at the time.
Mar. 2012–2017
Opaxôro Band
I joined Cia. In 2012 to participate in a project that was happening. And I only left there when I left Salvador, I had the opportunity to do shows all over Bahia with the projects: ”Opaxôro: Orquestra de Atabaques” and another project called ”Telling Stories”, as a saxophonist. I also participated in the recording of the DVD in celebration of Luiz Gonzaga's centenary, Danado de Bom, with renowned artists from Axé Music. The recording process was all done in the studio of Durval Lelys, one of the great studios in Salvador.
Social
In 2013 I applied to do volunteer work at Apae Salvador, at CEFAP, where Cia Opaxoro's artistic projects took place and I was a musical instructor for 4 years, sometimes replacing the music teacher when needed by external activities, but I was more like support and a member of the band as well.
Sep. 2019 - Current
Band OTITO
Otito is a project conceived by Paulo Pfutzenreuter and which extends his productions with other collaborating musicians and artists. In July / 17, Otito launched his first work. An “ep”, entitled Otito, produced and recorded by Paulo Pfutzenreuter. This debut work was presented in a Trio format, at Casa Arte Ana Frida (Criciúma / SC) in partnership with Volo Produções, Calamar Sounds and Saint Beer. Subsequently, the track “Outro Tempo”, from the disc, was awarded at the Festival da Canção, held by UFSC (Florianópolis / SC), also in 2017.
Recently, Otito released his second album, titled Longe De Casa (June / 20), containing 10 copyright tracks, produced and recorded by Paulo Pfutzenreuter, in addition to containing special participations in arrangements of voices and metals (trumpet and trombone). The track that bears the name of the album, Longe De Casa, was awarded for best song at FEMUSC (Santa Cruz do Rio Pardo / SP).
Otito is formed by Paulo Pfutzenreuter (Voice / Guitar / Guitar); Mariana Lizardo (Voice / Percussion); Hugo Baccili (Guitar); Carlos Rafael (Drums / Voice); Daniel Santos (Trumpet); Andresa Rassis (Saxophone) and Elton Soares (Bass).
Sep. 2019 - Current
Terra Livre Group
The Terra Livre Group, created by Anita Lino (linguist, anthropologist and musician), was born at FATEC in Tatuí, bringing together students from the Higher Technological Course in Phonographic Production and students from the Musical Conservatory of Tatuí. It is an anti-colonial and anti-imperialist art-militancy collective, which brings together poetry and songs of authorial composition, which seek to sing about nature, the land, and all the peoples of the land (Amerindian, quilombola, peasant peoples) - with its worldviews, its chants of celebration, its songs and speeches of resistance and struggle), packed by instruments from different traditions (indigenous, Andean drums and flutes, of African origin, Irish, Indians, Arabs; violin; accordion; ; charango; electric guitar; guitar; saxophone; and much more), and by rhythms inspired by popular tradition and Latin American culture as a whole.
ÁLBUM - CANTOS DE TERRA
Its founding concept works in the direction of synesthesias, drawing inspiration from anthropological, ethnomusicological, ethnolinguistic literatures, being closely linked to the work that Anita Lino (2019) paralleled in her PhD in Social Anthropology, linked to the Post-Graduate Program Graduation in Social Anthropology at the National Museum of Rio de Janeiro / UFRJ. Therefore, the compositions follow the following cosmopolitical line:
"If we think about all human life on the planet, we have always been faced with the practice of exchanging food and exchanging sounds. Sounds pack all the art of chewing, and our own organisms release their noises during the movement of digestion.
Around a campfire, conversations musicalize the entire space, while drink and food are transformed into energy. The voice appears as an effect of what has been ingested, and the earth (which manages everything that has been ingested), therefore, becomes the matter of sound in its first instance. "(Lino, 2018)
A very strange task has always been to define the genre of the songs played by the Terra Livre Group: “Ethnofusion”, “experimental music”, “tribal music”, “etnopsicodelia”, under inspiration and affinity with the Slow Music Movement (…). However, it was Felipe Strozi, the violinist of the Group, who brought a very interesting definition: “Misturança (psychedelic) Latin American”.
Anita Lino (lyrics, composition, voice, guitar, percussion - djembê, berimbau, rattles)
Andresa Rassis - (saxophone, percussion - djembê, bass drum, congas, rattles)
Felipe Strozi (voice, violin, cello, percussion - rattles)
Lucas Antônio (electric guitar).
Executive Production
Jan. 2021 - Current
Experimental Record Label
The Experimental Recorder of FATEC-Tatuí is a project that seeks to house phonographic projects, promoting pedagogical collaboration between artists and phonographic producers.
I work at the Record Label Experimental as an Executive Production intern where I coordinate actions that are necessary for the execution of the recordings within the Fatec-Tatuí studio. Making the pre-production with the organization of spreadsheets, logistics, agenda and delegations of functions, registration in the organizations of composition, the production that is the accompaniment of the realizations of the decisions taken in the pre-production. And in post-production as an assistant in the recording of phonograms in organizations and phonogram distribution companies.
Jacque Falcheti and the Brazilian Portrait
Premiere of the Facetas de Noel Rosa project! Season of on-line shows with Jacque Falcheti and Retrato Brasileiro presenting in each show a facet of Noel through his songs. The first brings Noel and Philosophy with songs like Where is honesty, Philosophy, One-minute silence, Positivism, among others. Viva Noel! The live was recorded at Fatec studios in Tatuí by the Experimental label and following all security protocols.
Datasheet:
Jacque Falcheti - voice, percussion, general production
Brazilian Portrait
Guilherme Saka - guitar, choir, general production
Gabriel Peregrino - vibraphone, choir
Théo Fraga - acoustic bass, choir
Collaborations
WHERE I HAVE PARTICIPATED